Continuing Analysis, Reconstructions, and Performance of interactive electroacoustic works for clarinet and obsolete technology: Papers and Presentations
The Interactive Event Manager (IEM) is an attempt to create a single modular, scriptable system that can incorporate the needs of multiple concert works for live performance with interactive technology. This is the continuation of my DMA dissertation research at the University of Arizona. I have presented this work at numerous festivals and conferences over the years. Current work on this project is ongoing, but on a back burner while other projects take priority. But here is a roundup of my published work on this topic, beginning with a summary of my analysis, reconstruction, and performance of Thea Musgrave’s Narcissus (1987), presented at ICMC 2004 (Miami), and evolving to the 2009 version of the IEM presented at ICMC 2009 (Montreal).
- Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave’s Narcissus – ICMC 2004 (Miami)
- Performing Jonathan Kramer’s RENASCENCE (1974) – Spark Festival 2006 (Minneapolis)
- A model for the conservation of interactive electroacoustic repertoire: analysis, reconstruction, and performance in the face of technological obsolescence – Organised Sound, Nov. 2006 (Cambridge University Press)
- Building A Sustainable Repertoire: A Performer’s Approach to Realizing Interactive Electroacoustic Works – SEAMUS 2007 (Ames, IA)
- The Interactive Event Manager (IEM): A Performer’s Approach to Interactive System Design – ICMC 2009 (Montreal)
For more information on IEM, please visit my Projects page.